‘The Farm Pond, Charleston’, Oil on Canvas, 1918 (The Hepworth Wakefield) Become a Full Member
Venice, Oil on Canvas, 1890-1899 (The Courtauld, London) Edward Carpenter, Oil on Canvas, 1894 (National Portrait Gallery, London) Continental Landscape, Oil on Board, 1900s (Cartwright Hall Art Gallery) Flooded Valley, Oil on Canvas, c. 1911 (Charleston) ‘Studland Bay, Dorset’, Oil on Canvas, 1911 (Touchstones Rochdale) Summer in the Garden, Oil on Panel, 1911 (Private Collection) River with Poplars, Oil on Wood, c. 1912 (Tate) ‘Orchard, Woman Seated in a Garden’, Oil on Canvas, 1912-1914 (The Courtauld, London) Lady Seated in an Interior, Oil on Canvas, c. 1915 (Private Collection) Boats in a Harbour (St Tropez), Oil on Canvas, 1915 (The Hepworth Wakefield) Still Life with Coffee Pot, ‘Oil, Bodycolour & Collage on Cardboard’, 1915 (The Courtauld, London) Nina Hamnett, Oil on Canvas, 1917 (The Stanley & Audrey Burton Gallery, University of Leeds) Still Life with Blue Bottle, Oil on Canvas, 1917 (Yale Center for British Art) The Breakfast Table, Oil on Canvas, c. 1918 (Aberdeen Art Gallery & Museums) The Window, Oil on Canvas, 1918 (University of Birmingham) ‘A Lane in Rolling Countryside, South Downs’, Oil on Board, 1918 (Somerville College, University of Oxford) Still Life with a Biscuit Tin and Pots, Oil on Canvas, 1918 (Walker Art Gallery) St Tropez, Oil on Canvas, 1922 (St Hilda's College, University of Oxford) Clive Bell, Oil on Canvas, c. 1924 (National Portrait Gallery, London) The Ornamental Garden of No. 7 Dalmeny Avenue, Oil on Canvas, 1926 (Islington Local History Centre and Museum) A Surrey House, Oil on Millboard, 1927-1928 (Birmingham Museums Trust) Self Portrait, Oil on Canvas, 1928 (The Courtauld, London) Still Life, Oil on Canvas, c. 1930 (University of Hull Art Collection) A View of Montrésor, Oil on Panel, 1930 (Government Art Collection) ‘Margery Fry, Principal’, Oil on Canvas, 1931 (Somerville College, University of Oxford) Chiswick House, Oil on Canvas, Date Unknown (Manchester Art Gallery) Incomparably the greatest influence on taste since Ruskin… In so far as taste can be changed by one man, it was changed by Roger Fry.
Kenneth Clark, Art Historian
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What an interesting range of style Fry has. You can see the influence of Cezanne in particular; but otherwise I wouldn't have guessed they were all by the same artist.
Fantastic post and opened my eyes to a new-to-me artist. I am truly in awe of how you can put these posts together. Superb curatorship!